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Somewhat ironically, Freaks was banned for thirty years in the country that really came into its own during this period: Great Britain. The shock value of Freaks is one of the few that has aged well up until present day, and is still a highly disturbing watch. Director Tod Browning-who had previously created the aforementioned and wildly successful Dracula-saw his career flounder at the hands of the controversy.
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Freaks (1932) is a good example of a movie that was so shocking at the time it got cut extensively, with the original version now nowhere to be found. Bella Lugosi (of Dracula fame) was arguably the first to specialize solely in the genre.Īnd as well as unnerving its viewers, the genre was starting to worry the general public at this point with heavy censoring and public outcry becoming common with each release. The 30s also marked the first time in the industry that the word “horror” was used to describe the genre-previously, it was really just romance melodrama with a dark element-and it also saw the first horror “stars” being born.
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Once the silent era had given way to technological process, we had a glut of incredible movies that paved the way for generations to come, particularly in the field of monster movies – think the second iteration of Frankenstein (1931), The Mummy (1932) and the first color adaptation of Dr. Caligari (1920) and Nosferatu (1922), the first movies to really make an attempt to unsettle their audience (with the latter title being Rotten Tomatoes’ second best-reviewed movie in the horror genre of all time and cementing just about every surviving vampire cliché in the book.) One the silent side of the line, you’ve got monumental titles such as The Cabinet of Dr. Widely considered to be the finest era of the genre, the two decades between the 1920s and 30s saw many classics being produced, and can be neatly divided down the middle to create a separation between the silent classics and the talkies. Things were starting to roll at this point as we move into… Hyde and The Werewolf (now both lost to the fog of time.) The first adaptation of Frankenstein was released by Edison Studios in these early days, as well as Dr. The Literary Yearsīetween 19, an influx of supernatural-themed films followed with many filmmakers-most of whom still trying to find their feet with the new genre-turned to literature classics as source material. While not intended to be scary-more wondrous, as was Mellies’ MO-it was the first example of a film (only just rediscovered in 1977) to include the supernatural and set a precedent for what was to come. Just a few years after the first filmmakers emerged in the mid-1890s, Mellies created what is widely believed to be the first ever ‘horror’ movie in 1898, complete with cauldrons, animated skeletons, ghosts, transforming bats and, ultimately, an incarnation of the Devil. The origins of horror as a film genre begin with-as with many things in cinema history-the works of George Mellies. Where the genre will go over the next hundred years is anyone’s guess, but sometimes it’s good to look back on the long road we’ve traveled to get to this point. Over the course of a century, film horror as it appears in film has gone through many peaks and troughs, leading us into the somewhat contentious period we find ourselves in today.
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With such a strong precedent in literature and oral history, it’s no surprise that the horror genre was very quick to get its feet under the table soon after the advent of cinema. Terrifying people through stories? It’s been a pastime of we humans since antiquity, with a large swathe of folklore centered around things that go bump in the night (particularly supernatural goings-on, or anything related to-and exploiting-our innate fear of death.)